While this and several plot points do leave a few threads loose for those who aren’t familiar with the comics, the film is such a thrill ride that audiences won’t mind suspending their disbelief. Spider-Man’s black costume, an alien symbiote that helps lead the friendly neighborhood web-slinger to a state of out-of-character rage (witness his merciless battle with Sandman), arrives on an unexplained meteorite in the film’s opening minutes. Raimi smartly cuts the exposition as short as possible. As promised, this is the darkest of the Spider-Man films, finding Peter waging internal battles as well as overwhelming external ones. With his irrepressible grin, Maguire carries this off perfectly ““ but it’s too good to last. Peter (reprised by a pitch-perfect Tobey Maguire) is filled to bursting with happiness at having balanced his superhero career with a full college course load and a storybook romance with Mary Jane Watson (Kirsten Dunst), possibly the first and only time in 45 years of Spider-Man history that he’s finally got everything going right. The film opens with Spider-Man swinging on a video screen in Times Square, having gained the adoration of New York ““ a hard-won victory for the oft-demonized hero. Clocking in at two hours and 20 minutes, it’s not much longer than its predecessors however, the film is easily the most complicated of the Spider-Man movies, dividing screen time between battles along the New York skyline with three (count ’em!) new foes and Spider-Man’s personal life as ever-optimistic freelance photographer Peter Parker. Octopus and the Green Goblin ““ and so, following in the tradition of “Return of the King” and “Return of the Jedi,” director Sam Raimi pulls out all the stops to bring the trilogy to an explosive climax. The Spider-Man movies have already seen the Marvel Comics hero battling two of his greatest villains ““ Dr. “Spider-Man 3″ accomplishes both of these things in spades, delivering on the promise of the first two films with the most complex, intriguing movie of the series. First rule of epic film trilogies: End with a big finish.
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